Kanalıma destek olmak için videoyu beğenmeyi abone olmayı ve bildirimleri açmayı unutmayın.HEPİNİZİ ÇOK SEVİYORUM.İg hesabım: mertceebiPaul Simon - You Can C
Nastoletni fani muzyki, patrząc na ostatnią listę zestawienia UK Chart Top 100, czyli najpopularniejszych płyt w Wielkiej Brytanii, zapewne zdziwiliby się, pytając, kim jest ten artysta, który lądując na szczycie listy, pobił Beyoncé, Coldplay czy Drake'a? Podobnie byłoby z tymi, którzy spojrzeliby na listę Billboard 200, tam ów artysta znalazł się na trzecim miejscu. Ponad 74-letni dziś muzyk został tym samym najstarszym wykonawcą solo, który zdobył szczyt UK Chart. Tym sposobem Paul Simon, bo o nim mowa, nawiązał do swoich największych osiągnięć solo sprzed lat czy w duecie Simon & Garfunkel. Pracując nad każdą płytą, Paul Simon słyszy zewsząd pytania, co zdradził magazynowi "Rolling Stone", czy to będzie nowy "Graceland"? Czy może coś bliskiego Simon & Garfunkel? Na swojej 13. płycie Paul nie odwołuje się ani do folkrockowych dokonań duetu, który w latach 60. zgarnął 10 nagród Grammy, dzięki hitom "The Sound of Silence" i "Mrs Robinson". Ani do płyty "Graceland" z 1986 roku z przebojem "You Can Call Me Al", dzięki której afrykańskie rytmy, z których korzystał, zachwyciły Zachód i która ląduje niemal we wszystkich zestawieniach płyt wszech czasów. Oczywiście na nowym krążku Paula "Stranger to Stranger" są naleciałości tego, co grał przed laty, ale udanie muzyk wszedł z nimi w nowe muzyczne klimaty. Wiele o tej płycie i samym Simonie mówi klip do pierwszego, znakomitego singla "Wristland". Widać w nim uśmiechniętego, niskiego pana w kapelusiku wchodzącego do sali nagrań. To Paul Simon. W sali przy instrumentach kilku muzyków. Na zupełnym luzie grają, w części wygląda to, jakby jammowali zabawny kawałek z tekstem o tym, jak trudno jest czasami członkowi zespołu wejść na koncertowy backstage, jeżeli nie ma odpowiedniej opaski na ręku. Simon namawia w trakcie numeru muzyków do solówek, sam bawi się swoim wokalem, opowiadając historię z przymrużeniem oka. Nie mniej zabawy jest w wersji numeru na żywo, która znalazła się w dodatkach do "Stranger to Stranger". Oto właśnie cały Paul Simon, pełen humoru, tworzący genialne, wpadające w ucho melodie, do tego otoczony doskonałymi muzykami i niebojący się współczesnego brzmienia. To w tym numerze, obok gitar, saksofonu, trąbki czy kontrabasu, słychać sample i bity stworzone przez włoskiego producenta i DJ-a Clap! Clap! Wstawki tego gościa, którego Simon poznał przez swojego syna, najlepiej słychać w doskonałym "Street Angel" z naleciałościami world music. Podobny klimat ma "The Werewolf" z dźwiękami indyjskiego instrumentu jednostrunowego gopichand (zwanego też ektara). Na płycie wyprodukowanej na spółkę z Simonem przez ponad osiemdziesięcioletniego dawnego współpracownika Simon & Garfunkel, Roya Halee, słychać też marimbę, tubę, marakasy czy cytrę, na których grają albo sam Paul, albo muzycy pochodzący z różnych stron świata. Simon stworzył tym samym multikulturowy muzyczny tygiel, który wymyka się klasyfikacjom. Muzyk dokłada do niego nie tylko zabawne teksty, jak we wspomnianym "Wristland", ale też bardzo poważne lirycznie, na przykład inspirowane tragicznymi masakrami w amerykańskich szkołach. Jedną z piosenek, instrumentalną "In the Garden of Edie", poświęcił swojej wieloletniej żonie, znakomitej wokalistce Edie Brickell. "Stranger to Stranger" to album wielowymiarowy, ze zmieniającym się napięciem. Osadzony w folkowych, jazzowych, rockowych i bluesowych amerykańskich klimatach muzycznych z silnymi naleciałościami wielu kultur. Paul Simon jest w formie i jak przekonuje, nie zamierza jeszcze przechodzić na emeryturę. Paul Simon | Stranger to Stranger | Universal Materiał chroniony prawem autorskim - wszelkie prawa zastrzeżone. Dalsze rozpowszechnianie artykułu za zgodą wydawcy INFOR PL Kup licencję
Sweet Tooth • s2e7 • I'll Find You 2021. Bear is prepared to join the kids following Bobby's liberation from the tank. 68. Love Island • s4e25 • Episode 25 2015. 24. Saturday Night Live • s2e8 • Paul Simon/Paul Simon, George Harrison 1975. 2. Can't Run But. 1 movies.
lil baby harder than ever G3 Live 2003: buzzing ears ... How else can you explain her cavorting about in the snow near some hill station in a sari (sleeveless too, wasn't it?) while everyone else is hooded up? ... You can call me Al/Paul Simon. I like to remember things my own way ... How I remembered them. Not necessarily the way they happened."So you think you can stone me and spit in my eye- So you think you can love me and leave me to die- Oh baby-cant do this to me baby- Just gotta get out-just gotta get right outta here-" Ok so this versus is directed to the mom. either she is ashamed because the son either sold his soul or killed a man. and she emotionaly stones him, as in ...G3 Live 2003: buzzing ears ... How else can you explain her cavorting about in the snow near some hill station in a sari (sleeveless too, wasn't it?) while everyone else is hooded up? ... You can call me Al/Paul Simon. I like to remember things my own way ... How I remembered them. Not necessarily the way they babies, syringes function better than spoons because you can be sure you're getting all the drug into your newborn's entry-way and down his throat. Our loving and knowledgable staff works closely with patients, doctors and indemnity companies to clear up the process and certify that patients be informed the supplies they need.
If youll be my bodyguard I can be your long lost pal, I can call you Betty, and Betty when you call me F G F G you can call me Al, F G F G call me Al. A man walks down the street, its a street in a strange world, maybe its the Third World, maybe its his first time around, he doesnt speak the language, he holds no currency, he is a foreign man
Paul Simon - You can call me Al 13 jaar geleden toegevoegd door onbekend A man walks down the street He says why am I soft in the middle now Why am I soft in the middle The rest of my life is so hard I need a photo-opportunity I want a shot at redemption Don't want to end up a cartoon In a cartoon graveyard Bonedigger Bonedigger Dogs in the moonlight Far away my well-lit door Mr. Beerbelly Beerbelly Get these mutts away from me You know I don't find this stuff amusing anymore If you'll be my bodyguard I can be your long lost pal I can call you Betty And Betty when you call me You can call me Al A man walks down the street He says why am I short of attention Got a short little span of attention And wo my nights are so long Where's my wife and family What if I die here Who'll be my role-model Now that my role-model is Gone Gone He ducked back down the alley With some roly-poly little bat-faced girl All along along There were incidents and accidents There were hints and allegations If you'll be my bodyguard I can be your long lost pal I can call you Betty And Betty when you call me You can call me Al Call me Al A man walks down the street It's a street in a strange world Maybe it's the Third World Maybe it's his first time around He doesn't speak the language He holds no currency He is a foreign man He is surrounded by the sound The sound Cattle in the marketplace Scatterlings and orphanages He looks around, around He sees angels in the architecture Spinning in infinity He says Amen! and Hallelujah! If you'll be my bodyguard I can be your long lost pal I can call you Betty And Betty when you call me You can call me Al Call me Al heeft toestemming van Stichting FEMU om deze songtekst te tonen. De songteksten mogen niet anders dan voor privedoeleinden gebruikt worden, iedere andere verspreiding van de songteksten is niet toegestaan.
The way we look to us all. The way we look to a distant constellation. That's dying in a corner of the sky. These are the days of miracle and wonder. And don't cry baby, don't cry, don't cry
Paul Simon The easy, fast & fun way to learn how to sing: A man walks down the street He says, "Why am I soft in the middle, now? Why am I soft in the middle? The rest of my life is so hard I need a photo-opportunity I want a shot at redemption Don't want to end up a cartoon In a cartoon graveyard" Bonedigger, Bonedigger Dogs in the moonlight Far away in my well-lit door Mr. Beerbelly, Beerbelly Get these mutts away from me You know, I don't find this stuff amusing anymore If you'll be my bodyguard I can be your long lost pal I can call you Betty And Betty, when you call me, you can call me Al A man walks down the street He says, "Why am I short of attention? Got a short little span of attention And, whoa, my nights are so long Where's my wife and family? What if I die here? Who'll be my role model Now that my role model is gone, gone?" He ducked back down the alley With some roly-poly little bat-faced girl All along, along There were incidents and accidents There were hints and allegations If you'll be my bodyguard I can be your long lost pal I can call you Betty And Betty, when you call me, you can call me Al Call me Al A man walks down the street It's a street in a strange world Maybe it's the third world Maybe it's his first time around Doesn't speak the language He holds no currency He is a foreign man He is surrounded by the sound, the sound Cattle in the marketplace Scatterings and orphanages He looks around, around He sees angels in the architecture Spinning in infinity He says, "Amen and Hallelujah!" If you'll be my bodyguard I can be your long lost pal I can call you Betty And Betty, when you call me, you can call me Al Call me Na na na na, na na na na Na na na na, na na na-na na-na Na na na na, na-na na-na na na Na na na na, na na na na If you'll be my bodyguard I can call you Betty If you'll be my bodyguard I can call you Betty If you'll be my bodyguard Watch: New Singing Lesson Videos Can Make Anyone A Great Singer Written by: Paul Simon Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC Lyrics Licensed & Provided by LyricFind Citation Use the citation below to add these lyrics to your bibliography: Missing lyrics by Paul Simon? Know any other songs by Paul Simon? Don't keep it to yourself! Watch the song video You Can Call Me Al more tracks from the album Sing-Along [Demon] #1#2#3#4#5#6#7#8#9You Can Call Me Al#10#11#12#14#15#16#17#19 Browse Quiz Are you a music master? » Adele: "So hello from the other side, I must've called a ______ times". A. hundred B. hundreds C. thousands D. thousand Don't miss Paul Simon's Upcoming Events » Thu • Aug 25 • 7:30 PMBrudenell Social Club, LeedsWed • Oct 12 • 7:30 PMBloomsbury Theatre, LondonSat • Nov 19 • 8:00 PMPantages Theatre, Minneapolis, MN
Strong wind, strong wind. Many dead, tonight it could be you. And we are homeless, homeless. Moonlight sleeping on a midnight lake. Homeless, homeless. Moonlight sleeping on a midnight lake
A man walks down the street He says, Why am I soft in the middle now? Why am I soft in the middle? When the rest of my life is so hard! I need a photo-opportunity I want a shot at redemption Don't want to end up a cartoon In a cartoon graveyard Bonedigger, Bonedigger, Dogs in the moonlight Far away, my well-lit door Mr. Beerbelly, Beerbelly Get these mutts away from me! You know, I don't find this stuff amusing anymore If you'll be my bodyguard I can be your long lost pal I can call you Betty And Betty, when you call me You can call me Al A man walks down the street He says, Why am I short of attention? Got a short little span of attention And whoa, my nights are so long! Where's my wife and family? What if I die here? Who'll be my role-model? Now that my role-model is Gone, gone He ducked back down the alley With some roly-poly, little bat-faced girl All along, along There were incidents and accidents There were hints and allegations If you'll be my bodyguard I can be your long lost pal I can call you Betty And Betty, when you call me You can call me Al Call me Al A man walks down the street It's a street in a strange world Maybe it's the Third World Maybe it's his first time around He doesn't speak the language He holds no currency He is a foreign man He is surrounded by the sound, sound Cattle in the marketplace Scatterlings and orphanages He looks around, around He sees angels in the architecture Spinning into infinity He says, Amen! and Hallelujah! If you'll be my bodyguard I can be your long lost pal I can call you Betty And Betty, when you call me You can call me Al (Call me) Na, na, na, na, na, na, na ... If you'll be my bodyguard... I can call you Betty... If you'll be my bodyguard... I can call you Betty... If you'll be my bodyguard...
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Meanwhile, the distinctive bass solo that Simon is seen playing in the aforementioned video was actually recorded by Baghiti Khumalo on his own birthday: a one-measure descending line that, in order to extend the break, was later reversed and played backwards in order to add the ascending line.
A man walks down the street He says "Why am I soft in the middle now?" Why am I soft in the middle? The rest of my life is so hard I need a photo-opportunity I want a shot at redemption Don't want to end up a cartoon In a cartoon graveyard Bonedigger, Bonedigger Dogs in the moonlight Far away my well-lit door Mr. Beerbelly, Beerbelly Get these mutts away from me You know, I don't find this stuff amusing anymore If you'll be my bodyguard I can be your long lost pal I can call you Betty And Betty when you call me You can call me Al A man walks down the street He says "Why am I short of attention?" Got a short little span of attention And, wow, my nights are so long Where's my wife and family? What if I die here? Who'll be my role-model, Now that my role-model is gone, gone? He ducked back down the alley With some roly-poly little bat-faced girl All along, along There were incidents and accidents There were hints and allegations If you'll be my bodyguard I can be your long lost pal I can call you Betty And Betty when you call me You can call me Al Call me Al A man walks down the street It's a street in a strange world Maybe it's the Third World Maybe it's his first time around He doesn't speak the language He holds no currency He is a foreign man He is surrounded by the sound, the sound Cattle in the marketplace Scatterlings and orphanages He looks around, around He sees angels in the architecture Spinning in infinity He says Amen! and Hallelujah! If you'll be my bodyguard I can be your long lost pal I can call you Betty And Betty when you call me You can call me Al Call me Al
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You Can Call Me Al is a song by Paul Simon, released on 1986-08-12. It is track number 6 in the album Graceland (25th Anniversary Deluxe Edition). You Can Call Me Al has a BPM/tempo of 128 beats per minute, is in the key of F Maj and has a duration of 4 minutes, 40 seconds. You Can Call Me Al is very popular on Spotify, being rated between 65
Home » Artiesten » P » Paul Simon » You Can Call Me Al A man walks down the street He says, "Why am I soft in the middle, now? Why am I soft in the middle? The rest of my life is so hard I need a photo... Writers: Paul Simon Lyrics © Universal Music Publishing Group Lyrics licensed by LyricFind
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You Can Call Me Al « See All Songs Lyrics:A man walks down the street He says, “Why am I soft in the middle now? Why am I soft in the middle? The rest of my life is so hard I need a photo opportunity I want a shot at redemption Don’t want to end up a cartoon In a cartoon graveyard” Bonedigger, bonedigger Dogs in the moonlight Far away my well-lit door Mr. Beerbelly, Beerbelly Get these mutts away from me You know I don’t find this stuff Amusing anymore If you’ll be my bodyguard I can be your long-lost pal I can call you Betty And Betty, when you call me You can call me Al A man walks down the street He says, “Why am I short of attention? Got a short little span of attention And, woe my nights are so long Where’s my wife and family? What if I die here? Who’ll be my role model Now that my role model is Gone gone?” He ducked back down the alley With some roly-poly little bat-faced girl All along along There were incidents and accidents There were hints and allegations If you’ll be my bodyguard I can be your long -ost pal I can call you Betty And Betty, when you call me You can call me Al Call me Al A man walks down the street It’s a street in a strange world Maybe it’s the third world Maybe it’s his first time around He doesn’t speak the language He holds no currency He is a foreign man He is surrounded by the sound, the sound Cattle in the marketplace Scatterlings and orphanages YOU CAN CALL ME AL (CONT’D) He looks around, around He sees angels in the architecture Spinning in infinity He says, “Amen!” and “Hallelujah!” If you’ll be my bodyguard I can be your long-lost pal I can call you Betty And Betty, when you call me You can call me Al Call me Na na na na … If you’ll be my bodyguard I can be your long lost pal I can call you Betty © 1986 Words and Music by Paul Simon This song is available on: The Concert in Hyde Park Paul Simon’s Concert In The Park Graceland The Essential Paul Simon The Paul Simon Collection: On My Way, Don’t Know Where I’m Going The Complete Albums Collection Over The Bridge Of Time: A Paul Simon Retrospective (1964-2011)
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paul simon you can call me al tekst
